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Lester Horton

As a modern dancer, Horton hit the scene right when modern dance was beginning to thrive and catch an appreciative audience, but Horton did things a bit differently.











Naomi Blumberg was Assistant Editor, Arts and Culture for Encyclopaedia Britannica.









Lester Horton, (born January 23, 1906, Indianapolis, Indiana, U.S.—died November 2, 1953, Los Angeles, California), dancer and choreographer credited with launching the modern dance movement in Los Angeles and for establishing the country’s first racially integrated dance company. Lester Horton Lester Horton (January 23, 1906 – November 2, 1953) was born and raised in Indianapolis, Indiana. Lester Horton was born in Indianapolis in 1906, and little is known about his early life.

She covered topics related to art history, architecture, theatre, dance, literature, and music.Before becoming an editor...

Lester Horton In the 1920s, ’30s and ’40s, Lester Horton developed a modern dance technique based on Native American dances, anatomical studies, and other movement influences. Horton rebuilt the company and, in so doing, launched the careers of new members Carmen de Lavallade and





The show was a success, though Horton could not afford to accompany the troupe to the festival.Since Horton's death, his dance technique and choreography have become widely known and practiced.

Upon arriving the troupe discovered the venue did not provide publicity and so the performance was largely unknown and not well attended.

Our editors will review what you’ve submitted and determine whether to revise the article.Horton’s initial interest in movement was inspired by In Los Angeles he studied with Japanese dancer and choreographer With Lewitzky, her husband (Newell Reynolds), and dancer William Bowne, Horton opened the Dance Theater in Los Angeles, a performance space and dance academy.

Horton's legacy has survived through the Horton trained a number of significant mid-twentieth century dancers: The real story begins when Horton moved to California in the late 1920s to begin a full time dance career. Get exclusive access to content from our 1768 First Edition with your subscription. He studied several Native American tribes including, the Iroquois, Red River Indians, Penobscot, and Ojibway.



Only about 300 people showed for the Saturday night performance and only about 200 tickets were sold for the Sunday matinee.




In 1931, Horton created his first solo concert choreography, In order to finance his school and various dance companies, Horton choreographed a number of Hollywood musicals, beginning with Dance Theater made only one appearance in New York, during the last year of Horton's life.



As a young boy, Horton was fascinated by the American Indian, which later inspired him to study Native American dance and influenced his movement style.



-Lester Horton, in a letter to Dorathi Bock Pierre, "From Primitive to Modern," American Dancer (October 1937)Dorathi Bock Pierre, "From Primitive to Modern," American Dancer (October, 1937), p.36Richard Bizot, "Lester Horton's "Salome", 1934-1953 and After,"



Horton also included Afro-Caribbean elements, like hip circles.



As a child he was interested in Native American culture, which is also what sparked his interest in dance.

The troupe was scheduled to perform at the reputation-making theater of the Young Men's and young Women's Hebrew Association on East Ninety-second street in New York City.







This netted the company a total of 100 dollars.

Lester Horton Lester Iradell Horton was born January 23, 1906 in Indianapolis, Indiana to Iradell and Pollyanna Horton.











Other figures who emerged from Horton's school and company include actress Horton developed his own approach to dance that incorporated diverse elements including Native American Folk Dance, Japanese arm gestures, Javanese and Balinese isolations for the upper body, particularly the eyes, head and hands. Lester Horton (23 January 1906 – 2 November 1953) was an American dancer, choreographer, and teacher.

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