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Regarding the Pain of Others

Until she pointed it out, I had not even realised how North American coverage of 9-11 included practically no pictures of corpses, although picturing the dead in foreign conflicts is an expectable way of rallying support for the victims. Even decades later, most victory photographs were posed. Regarding the Pain of Others is Susan Sontag's searing analysis of our numbed response to images of horror. We don't get it. Similarly, the famous image of the raising of the American flag on Iwo Jima turned out to be a reconstruction. At the beginning of Regarding the Pain of Others, Sontag references Virginia Woolf's book Three Guineas, in which she talks about pacifism and the possible usage of war photography as a visceral means of uniting disparate types of people against the war. I was saying to people at work the other day that there was a part of this book where I thought, “god, how did I get to be 50 and never think of this before?” It was the bit where she talks about the holocaust and holocaust museums and then questions why America doesn’t have a museum to the victims of slavery – you know, those victims are still walking about amongst us to the extent that black American disadvantage is a continuing manifestation of that history and the subsequent imposed ways of thinking caused by that history.

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A review here will not do it justice. If one feels that there is nothing 'we' can do -- but who is that 'we'? Just a moment while we sign you in to your Goodreads account.

There is a record of the real, and there is the person who takes the record. Regarding the Pain of Others From Wikipedia, the free encyclopedia Regarding the Pain of Others is a 2003 book-length essay by Susan Sontag, which was nominated for the National Book Critics Circle Award.
See all . There was a huge controversy when this picture was first published and most readers condemned Kevin for a lack of empathy.
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Until the Vietnam War, the majority of the best-known war photographs were setups.But can we trust photographs taken during combat?

Thus, in 1945 the Russian soldiers hoisting the Red Flag over the burning Reichstag in Berlin took direction from a Soviet war photographer Yevgeny Khaldei. "Sontag then considers the relationships between photography and ideology, censorship, and the authorities. I always find myself thinking about her points more than I do with other writers. Regarding the Pain of Others － – 2005/1/1 5つ星のうち4.6 91個の評価 その他 の形式およびエディションを表示する 他の形式およびエディションを非表示にする The picture was clicked at such an angle that it seemed that the vulture was waiting for a chance to pounce upon the poor child. Be the first to write a review. It was not until the Vietnam War, condemned by most journalists present in the region, that the number of staged war photographs sharply declined.Ticket office closes 30 minutes before Museum closing timeSubscribe to our mailing list and get the latest news from Garage -- and nothing 'they' can do either -- and who are 'they' -- then one starts to get bored, cynical, apathetic.”

She notes, for example, that displaying photos of dead bodies is less taboo the more foreign and faraway those bodies are. Probably we all have. And they are right. We can't imagine what it was like...That's what every soldier, and every journalist and aid worker and independent observer who has put in time under fire, and had the luck to elude the death that struck down others nearby, stubbornly feels. Her discussion of the nature of ‘remembering’ is probably worth the effort in reading the book.A bracingly intelligent look at the assumptions we make about images of suffering (paintings, war photography, TV reporting, etc.). 'A coruscating sermon on how we picture suffering' The New York Times What is the purpose of images of pain and suffering? To those who are sure that right is on one side, oppression and injustice on the other, and that the fighting must go …

Sontag discusses photography as a medium for the representation of war and violence in contemporary culture.Sontag reviews the wealth of photographs documenting military conflicts around the world since the mid-19th century, highlighting the important changes in technology, style, and ideology. Sontag is brilliant.

To steel oneself against weakness.

‘Powerful, fascinating.

Even the images of the First World War were generally limited to the depiction of a battle's aftermath. Many of the ideas aren’t fully developed or entirely convincing, but that can be useful for reflection and stimulate discussion. for a book that deals with how 'this is such a fantastic, powerful essay that it truly is a pity how it suffers from (a) a very diffused telling, so much so that the chapter categorizations seem rushed through, and (b) the lack of visual?? This is Susan Sontag's second book on photography and, like the first, published in 1977, it contains no photographs. This is one of those that I’m tempted to “review” by just quoting the whole damn book:Sometimes back I watched the movie “The Bang-Bang Club” based upon the lives of a group of photojournalists who went by that name in Johannesburg in the mid 80s.

As objects of contemplation, images of the atrocious can answer to several different needs. August 26th 2004 The history of war photography started in 1855 with a campaign seeking to create positive images of the warrior's trade, as the British government sent Roger Fenton to the Crimea to make a series of war photographs. The movie also focused on the distress which these journalists went through after or while clicking the photographs. -- The Atlanta Journal-Constitution " Regarding the Pain of Others bristles with a sense of commitment--to seeing the world as it is, to worrying about the ways it is represented, even to making some gesture in the direction of changing it...the performance is thrilling to witness." A lot of these ideas are not new.

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