Seek the path of least resistance. It takes some time and confidence to start thinking, ‘Alright, I want to be as free and comfortable in 5/4 as I am in 4/4.’ You just need to practise it. ""When you start playing in 5/4 you play the most simple parts, like Take Five - you play a pattern of 3 and a pattern of 2 and you keep hitting a crash cymbal every ‘1’ to keep confirming that you are still in 5. ""Sometimes I’ve reversed that and tried to make 4/4 sound like it is not in 4/4. Although you might find a loop you like, it's unlikely to have the right variations for your song. The thing I like the most is if it’s got a groove. Gavin Harrison has authored two instructional drum books entitled Rhythmic Illusions and Rhythmic Perspectives. They drove me crazy so I gave up using pads and electronics. You can do some interesting things in odd times and you can even disguise odd times so they don’t sound odd. ""If you can play a group of 3, which I’m sure every drummer can, and you can play a group of 2, which I’m sure every drummer can, then you can play odd times because every odd time can be broken down into groups of 2 or 3. I don’t think we play any fast songs really. Having spent a long time developing a control room and treating the acoustics of my 40' by 50' live room, I am now able to offer a total "rhythm production facility" where I play on peoples' tracks here at home.The drum kit is permanently set up and miked with highest quality professional microphones (see list below).The desk channels are preset, "sound checked" and ready to record.Hard disk recording via Logic Pro integrates MIDI and audio, and makes editing drum performances easy.Apogee Rosetta with 24 bit 192khz recording possibilities making it fully compatible with any Pro Tools or other DAW computer based systems so clients can continue to work on their tracks in their preferred digital format.I only have to travel 45 feet to work every morning.The advantages from a drum point of view are numerous - I have a ton of equipment here, more than I could ever manage to bring along to a session without a huge truck! . quite a headache, and lot of expense. It’s actually much simpler than you imagine. "Remo heads: Vintage Coated Emperors on toms, Clear Ambassadors on resonant side; Powerstroke 3 Clear on kick batter, Standard Sonor head on resonant side; Coated CS on snare, Hazy Ambassador on resonant side.22" Swish Knockers without rivets, 16" Oriental China trash, five custom-made chimes, 13" K hi-hats, 18" K crash, 7" & 9" Custom Crash Bells, 15" A Custom crash, 20" K ride, 18" A Custom crash, 12" Oriental China Trash, 18" Z Custom china. "I’ve actually got the original Wavedrum as well, that cost about the price of a car.
This means you end up with a 1- or 2-bar loop that repeats all the way through the track, with a couple of unsympathetic fills awkwardly pasted in. Everything you do on the head, if you’re brushing it or scraping it with your fingernails or muting it with your hand, all that is coming through mixed in with the electronics so you do feel like you’re making a sound that you’re creating. You will see Sonor drums with Remo heads on, Zildjian cymbals, LP percussion, Gibraltar hardware, Tama Speed Cobra pedals, Nord Drum 2 and 3 including pads, and also a few surprises. To give you an idea, here's a selection of extras:Hand percussion including bongos, congas, tablas, Indian congas, udu, talking drums, Egyptian drums, Mexican drumsShakers, tambourines, cow bells, triangles, claves, etcThe amazing Korg Wavedrum mark 1 and 2, which blends real acoustic percussion timbres with electronically generated waveforms to produce unique sounds.Microphones; AKG C12VR x 2, AKG C414 XLII x 5, AKG C414 XLS x 4, AKG D12VR, Neumann TLM103 x 2, Royer 122 x 2 ribbon mics, AKG CK91 x 3, Sennheiser MD421 x 5 for toms, Shure SM57 x 2 for snares, Audix i5, Beyer M88, Shure SM91, Audix D6, Telefunken M82.For me, the essence of a great rhythm track is real drums, played live with feel and groove. I've known tracks where the musicians have used some brand new, fashionable loops - but unfortunately, by the time the record was finished, mixed and released, a good year or so had gone by and the loops were already sounding dated, having appeared on a few hit singles and jingles in the meantime.Incognito, Lisa Stansfield, Lewis Taylor, Artful Dodger, Paul Young, Iggy Pop, Level 42, Porcupine Tree, OSI, King Crimson, Shooter, Dizrhythmia, The Pineapple Thief, The Kings Of Oblivion, Sam Brown, Tom Robinson, Go West, Black, Gail Ann Dorsey, B J Cole, Dave Stewart and Barbara Gaskin, Nathan East, Yasuaki Shimizu, Camouflage, Kevin Ayers, Claudio Baglioni, Franco Battiato, Chizuko Yoshihiro, Renaissance Mick Karn, Eros Ramazzotti, Nick Johnston, Randy Goodrum, Fates Warning. Sonor Gavin Harrison Protean Signature Snare Drum Features: Ultra-versatile snare drum that provides session drummers and live performers with a massive range of tone and expression; Lightweight 6-ply/6mm birch shell delivers complex high frequencies and … We kick off with the great Gavin Harrison, who is just about to show us around his drum kit he is using during King Crimson ‘s 2018 tour. "Don't miss the latest deals, news, reviews, features and tutorialsThank you for signing up to Musicradar. "I pretty much hate electronics because they are temperamental""You can do some interesting things in odd times and you can even disguise odd times so they don't sound odd""When I was a kid I couldn't even play in 3/4 without getting lost""I would never count to 11... seek the path of least resistance"Receive mail from us on behalf of our trusted partners or sponsors? Gavin’s signature drum sound is largely thanks to his gorgeous Sonor SQ2 kit and signature snare. It is very hard to get them to go consistently and in time. The drum kit is permanently set up and miked with highest quality professional microphones (see list below).
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