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Nellie McKay


“It’s astonishing. It’s not hard to see what draws her to Arnoldi’s tale, which begins with the trauma of rape, deals with workers’ rights and ends on a note of clear-eyed hope and self-reliance. McKay has crossed paths casually with a motley variety of bands. I gave her some coaching, and then she came in and auditioned for me and the producers, and basically just blew everybody away.” But that doesn’t diminish the challenge of the role–and by all accounts so far, McKay has surmounted that challenge with uncommon success.
“But count me among the converted.”By this time, McKay had shed her red cocktail dress and slipped into slacks and a sweater. Nellie McKay. Conspicuous by her self-accompaniment, McKay brought humor, pathos and a kind of existential angst to the performance; her composure was almost as striking as the song itself, which began with the blunt and uneasily funny phrase “My cat died.” It was the briefest taste of McKay’s oeuvre, but enough to win over the house. The songs that don’t sound like smoky jazz standards are junkyard-scrap assemblages of new wave, faux reggae and power-chord rock. We would like to show you a description here but the site won’t allow us. (“I was struck by her incredible poise,” guitarist Lenny Kaye later recalled of McKay.) Nellie McKay: Billy Strayhorn, Leftist Politics and Cary Grant. Nellie McKay (pronounced Mc-EYE) appeared almost out of nowhere in early 2004, after a handful of live performances in New York City. (The verses, with lines like “I’m the queen of QVC,” are feasible coming from either one of them. Nellie McKay - The Very Thought Of You (Late Late Show With Craig Ferguson 1-11-10).avi - Duration: 2:50. Nellie McKay was born on April 13, 1982 in London, England as Nell Marie McKay. Get Away from Me is the debut studio album by American singer-songwriter Nellie McKay. Her debut CD, Get Away From … She spent her childhood emulating Doris Day, Peggy Lee and Dinah Shore and even now converses with the coyly stammering decorum of a Hitchcock heroine. It’s as if she felt compelled to counteract the darkness of Brecht and Weill and Arnoldi’s worlds with doses of sweetness and light. )The album’s other touted duet, “We Had It Right” with k.d. Nellie McKay (pronounced Mc-EYE) appeared almost out of nowhere in early 2004, after a handful of live performances in New York City.
Nell Marie McKay is a British-American singer and songwriter. There was something oddly definitive about her understanding of the character.” When the Roundabout Theatre Company’s Threepenny Opera opens on Broadway in April, McKay will play Polly Peachum, a leading role. The young singer-songwriter had signed to Columbia and released “Great mongrel music,” McKay says. They’re more than half right to sense a kindred spirit in McKay–but then, so is Lou Reed, who had her open for him at a JVC Jazz Festival concert at Carnegie Hall.Now, just over a year after that night in Brooklyn, McKay has a new album, an impending Broadway debut and a feature film project in the works. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. But both celebrity cameos feel equally sincere; McKay has made no secret of her attraction to strong and unconventional female artists. Among the featured vocalists were rock iconoclast Lou Reed, Blondie heartthrob Deborah Harry, multimedia scribe Laurie Anderson, Chocolate Genius auteur Mark Anthony Thompson–and the fair-haired Nellie McKay.McKay (rhymes with “hi,” not “hey”) sang the suite’s “Bar Stool Paradise” as a duet with Terrell Lee Porter, corkscrewing gaily through an Annie Ross-style vocalese.

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