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kenny clarke was a pioneering artist for what style of jazz drumming?

Kenny Clarke was a highly influential if subtle drummer who helped to define bebop drumming. He was the first to shift the time-keeping rhythm from the bass drum to the ride cymbal, an innovation that has been copied and utilized by a countless number of drummers since the early '40s. Artist Biography by Scott Yanow Kenny Clarke was a highly influential if subtle drummer who helped to define bebop drumming. The Cuban clave, derived from the African version, is composed of two measures, one with three beats, one with two. The Evolution of Early Jazz Drumming. Born: 9 January 1914 in Pittsburgh, Pennsylvania, USA. Jazz required a method of playing percussion different from traditional European styles, one that was easily adaptable to the different rhythms of the new genre, fostering the creation of jazz drumming's hybrid technique.The rhythms and use of percussion in jazz, as well as the art form itself, were products of extensive cultural mixing in various locations. He was an early innovator of the bebop style of drumming and a founder member of the jazz group, The Modern Jazz Quartet. The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music. foreshadowed the way small groups would become more significant in jazz during the postwar yearsWhy is Coleman Hawkins credited with establishing the tenor saxophone as the embodiment of jazz?His powerful, expressive sound and harmonic ingenuity helped the instrument seem cool and virleWhich of the following best describes Coleman Hawkins' style of improvising?He used arpeggios to make powerful melodies based on the harmonies of a songWhat problem did the electric guitar solve for Swing Era guitarists?Charlie Christian was yet another musician whose career received a boost from this producer:Charlie Christian came to national prominence when he joined the group led byHis band was defeated by Benny Goodman's in a famous battle of the bands at the Savoy BallroomIn support of the view of bebop as a revolution, the textbook quotes the saxophonist ________________ as saying that bebop was something "entirely separate and apart" from the jazz that had proceded itAll of the following are ways that jam-session players made inexperienced musicians felt unwelcome EXCEPTasking inexperienced horn players to take a turn at the drumsKenny Clarke is credited with the drumming innovation of shifting the time-keepingWhich World War II era term was applied to Kenny Clarke's powerful bass drum accents?Over the new drumming style, bebop soloists used _________ rhythmswith chords that complemented the drummer's accents and the solo linesswitched to electronic amplification to comp and play single-note solosWhile bassists continued in their walking, time-keeping role, in the bebop they alsoreached a new level of virtuosity, as in the case of Oscar PettifordAll of the following are true of bebop harmony EXCEPT:Musicians avoided the tritone in chord voicing and improvised linesSwing fans could identify star soloists by their timbres, melodies, and rhythmic phrasesThe short film Jammin the Blues captured a real jam session in a jazz clubColeman Hawkins' style of improvising included the use of arpeggios and frequent harmonic substitutionIn the 1930s, the Gibson Company began building prototypes for an electric guitarCharlie Christian was initially championed by fellow artist Mary Lou WilliamsCharlie Christian's recording of "Swing to Bop" ("Topsy") was made at Minton's Playhouse in Harlem.Jam sessions typically ran from late at night into the early morning, after musicians' regular jobs had endedOne way that jam-session players made inexperienced musicians feel unwelcome was to play the tune in an unfamiliar keyKenny Clarke is credited with the drumming innovation of shifting the time-keeping from the bass drum to the high-hat cymbalPianists accompanied bebop improvisations with chords that complemented the drummer's accents and the solo lineBebop harmony avoided the tritone in chord voicing and improvised linesElla Fitzgerald was well known for her ability to sing upbeat _______ improvisations, building on the practice set forth by Louis ArmstrongThe saxophonist __________ is credited with establishing the tenor sax as the embodiment of jazzBandleader _____________ was initially reluctant to hire Charlie ChristianWhich Swing Era bassist succumbed to the same illness as Charlie Christian?The first true bebop records date from the year _________.Charlie Parker's "Ko Ko" is based on the changes of _________The drummer on both "ko ko" and "now's the time" isCharlie Parker's decline was so steep that at the time of his death at thirty-four in the apartment of a famous jazz patron, the coroner estimated his age at ________This alto saxophonist's style resembled Parker's so much that for a time he switched to tenorDexter Gordon was a product of the modern jazz scene along Central Avenue in ____

The first drum sets also began with military drums, though various other accessories were added later in order to create a larger range of sounds, and also for novelty appeal. This newfound fluidity greatly extended the improvisatory capabilities that the drummer had.Elvin Jones, a member of John Coltrane's quartet, developed a novel style based on a feeling of three partly due to the fact that Coltrane's pieces of the time were based on triple subdivision.Throughout the history of jazz drumming, the beat and playing of the drummer have become progressively more fluid and "free", and in The clave used most commonly in Africa, based on a feeling of three.The shuffle pattern, derived from the pattin' juba rhythm.Brown, T, D. (1969). The culture that created the most commonly used version of this pattern was that of Cuba. The earliest occasion when this occurred was the There are several central qualities shared by African music and jazz, most prominently the importance of Clave is a tool for keeping time and determining which beats in a composition should be accented. Military rudiments and beats in the military style were essentially the only technique that they had at their disposal. The circumstances that created that music and culture were very similar to those that created jazz; Latin jazz is generally characterized by the use of even note combinations, as opposed to the "The equipment of the drummers in these groups was of particular significance in the development of early drum sets.

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